Although the name of Grammy-winning songwriter/producer
Dennis Matkosky may not be familiar to many of those outside the music
industry, his work can be found in practically every genre of music and film.
His production and songwriting credits are included in over 50 million records
sold. Working with such artists as Michael Sembello (“Maniac”), Diana Ross,
Clay Aiken, Eddie Money, Boz Scaggs, James Ingram, LeAnn Rimes, Keith Urban and
Chicago, he has enjoyed over two decades of success, writing & producing
hits songs in the pop, R&B, country and Christian genres. Matkosky’s songs can be heard in such movies
as Flashdance, Summer Lovers, Fright Night, Night and
the City and Days of Thunder. In a recent interview, Matkosky
recalled some of his most memorable experiences and discussed current projects.
Dennis Matkosky (left) & Keith Urban
Growing up in Philadelphia, Matkosky started his first band
in the sixth grade, playing school dances and proms. He learned to play piano
by ear, listening to records. “Hall & Oates and Todd Rundgren were playing,
it was a great area to grow up in musically,” he said. While Matkosky attended
college at Temple University, his childhood friend and guitar player Michael
Sembello joined Stevie Wonder’s band. After finishing college with a degree in
music composition & theory, Matkosky and his wife, Leslie moved to Los
Angeles in 1979.
Matkosky’s songwriting ability was quickly recognized when
his first professionally written song, “Mirror, Mirror” was recorded by Diana Ross
and broke into the Top 5 on both the pop and R&B charts. “We were actually
shopping for a deal for Michael (Sembello) and made a four-tune demo, which was
heard over at RCA and they wanted the song.”He joined with Sembello to write the theme song for the movie “Summer
Lovers,” which was also recorded by Sembello.
For Matkosky’s third song, “Maniac,” he again partnered with
Sembello to create a song for the movie, Flashdance, which reached #1 on
Billboard Hot 100 singles chart. “I was watching the news one night where a
mass murderer had buried several bodies next door to someone else, and I was
just scribbling (words) and I wrote something like ‘he’s a maniac he just moved
next door, he’ll kill your cat and nail it to the floor.’ I showed the lyric to
Michael and we wrote the song really quickly as sort of a joke. For the bridge,
I thought of how (an insane person) would play chopsticks. Phil Ramone came
over the next day and as a joke we played it for him and he said, ‘I’m working
on this film and I can get this song in if you rewrite the lyrics for it from
the script,’ and that’s what we did.” The song was nominated for an Academy
Award, a Golden Globe and two Grammys, winning the Grammy for Best Soundtrack
Album. Both the movie and the song have been elevated to cult status, with
“Maniac” appearing in several movies, including the recent box office hit, American
Wedding.
One of Matkosky’s most memorable experiences was working
with Songwriter’s Hall of Fame inductee, Linda Creed, who wrote many songs for
artists such as the Spinners, the Stylistics and Dionne Warwick, including
Whitney Houston’s monster hit “The Greatest Love of All,” which was written as
Creed was dealing with the breast cancer that claimed her life at age 37. “She
had a lot of fire in her. She brought me in and said to the president of the
record company, ‘you need to let this guy produce,’ and they did. She was an
amazing person. I can’t think of anyone more special than her.” Matkosky
co-wrote and produced several songs with Creed, including Johnny Gill’s
“Because of You.”
Dennis Matkosky
In 1994, Matkosky moved to Nashville. “Luckily, I’ve had
some hits with LeAnn Rimes,” he said modestly, including the crossover hit “I
Need You,” which remained in the Top 10 for over two years and still receives
major airplay on AC radio. The song is currently the third longest-running
single in AC history.
“You can’t be in
Nashville without learning something about the craft of songwriting. The
writers here are as good or stronger as I’ve seen anywhere. There’s a lot to
learn here. They’re just great writers in every way. They can write lyrics and
music. I have the highest regard for the writers (in Nashville). I’ve really
enjoyed being here and have grown immensely.”
Rimes remains a focus for Matkosky’s work. “I’ve been
writing a lot for her and with her for her new album, as well as collaborating
with other writers for her. LeAnn is amazing. She is impressive as an artist
and as a songwriter. She’s got great instincts, obviously melodically and vocally,
but lyrically as well. She’s got it all going on. I’ve gotten to work with many
great singers but the talent pool today isn’t quite as deep as that for vocals.
For a songwriter, there’s nothing more inspiring than having a great voice to
work with. If we could do it ourselves, we would. But when you have a voice
like LeAnn’s, as soon as she walks in the room, you’re inspired.”
More recently, Matkosky enjoyed great success with Keith
Urban’s hit “You’ll Think of Me,” (co-written with Ty Lacy and Darrell Brown)
from Urban’s double-platinum album, Golden Road. “We put the song
together one night before we went out to eat,” he recalled. “Sometime later,
Joe Cocker wanted to record it, (but eventually declined). Then, Darrell
(Brown) was working with Keith and taught the song to him. He never played it
for him, he just sang it to him as he called out the chords to Keith, which, in
retrospect, was brilliant because Keith could make it his own right away
without going through a lot of interpretations.”
Collaborating with other songwriters is something Matkosky
finds helpful as well as enjoyable. “I remember (songwriter) Danny O’Keefe told
me the unfortunate story that he’d gotten a call, that Don Henley wanted
(O’Keefe) to help him write this album he was working on called Hotel
California and Danny said, ‘I really don’t collaborate, I’ve never done
it.’ There are some people who just don’t think in those terms. I’ve been
working by myself lately and it takes a minute to get the discipline to do it
because I’ve been collaborating so much, but writing alone is really great too.
I write from an emotional place. So I try to get out of the way and make it as
an unconscious and immediate thing as I can. My favorite way of writing is just
in letting go and allowing the song to come through, and the people I love
writing with are like-minded. So I can see both sides of it. I’m lucky enough
to have great collaborators. It’s amazing what you can do in a short amount of
time with the right chemistry.”
LeAnn Rimes & Dennis Matkosky
Matkosky co-wrote Clay Aiken’s new single, “I Will Carry
You” for his triple-platinum album, Measure of a Man, with writers Jess
Cates and Lindy Robbins. He is also working with Desmond Child and Gary Burr on
songs for American Idol finalist Diana DeGarmo, and is currently working with
the band Chicagoto write songs for their Love Songs album, soon
to be released on Rhino Records.
Although he makes his home in Nashville, Matkosky continues
to keep his finger in the pop music pie. “Darrell (Brown) and I have a
production company and have been developing a band based in L.A. called the
Daylights who are getting serious label interest and doing showcases for record
companies. They’re definitely on the pop/rock side of music.” He is also
working to develop a new artist named Becky Corcoran in Los Angeles. “I spent
15 years in L.A. and still write more pop music than I do country music. The
melodies of pop are amazing and the lyrics of country are amazing and if you
can combine those two elements and do it in a real way, it should work. I just
try to add what I can emotionally.”
For songwriters hoping to achieve success, Matkosky offers
the following advice: “Take chances, not only lyrically but musically as well.
Find that uniqueness that you have because the faster you find it, the better.
That’s what’s going to speak and that’s what you have to sell. What you have to
give is your emotion and if you can interpret that into a song, that’s the
cleanest line. You also have to be around it. You have to be around the people
who are involved in the business. That’s how it happens. It doesn’t happen
alone. You have to be part of a community and have a presence there, whether
it’s in New York or L.A., or wherever you may be, so people know who you are.”
Throughout his extensive career, Matkosky remains grounded.
“Everything’s been very good. I love developing artists, I love writing with
the people I write with.” Even with his amazing discography, he still enjoys an
element of anonymity. “Nobody knows who I am. People still ask me if I live
here (in Nashville) and I’ve been here ten years. I enjoy it because it lets me
(work within many genres of music). I love not being limited by genre. I’ve had
success in jazz, R&B, country, AC and dance, and I’ve done some rock
songs. I’ve been at the top of all of the charts except rap. I think I’ll leave
that to the guys who can do it much better. The thing about being a writer
is emotion and vocabulary. It goes back to my college days of composition and
theory. It’s all about what you want to say and the way you want to say it.
That’s why I love working with guys like Smokey Robinson, and then switching
gears to work with Keith Urban.”
Jayne Moore is a freelance music/entertainment journalist. She has launched a new service, writing bios, articles and press releases. Moore can be contacted at musicgerm@hotmail.com. You can also visit her website: www.musicgerm.com.
You can listen to the original demo of "You'll Think Of Me" (by Dennis Matkosky, Ty Lacy & Darrell Brown), which became a big country/pop/AC hit for Keith Urban, by clicking the music player below: