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ASCAP's Brendan Okrent Talks About The "Quiet On The Set" Showcase, & Other ASCAP Programs
By Dale Kawashima
Brendan Okrent, Senior Director of
Repertory at ASCAP in Los Angeles, has devoted her career to working with and
helping songwriters. As an ASCAP membership representative for the past 12
years, she is dedicated towards advancing the creative development of
songwriters on all levels.
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| Deana Carter & ASCAP's Brendan Okrent (right). |
Okrent is a well respected veteran of the
Los Angeles music scene. Prior to working at ASCAP, she was West Coast Creative
Director at Jobete Music (Motown’s publishing company). She has also been a
successful independent publisher and music publicist. At ASCAP, Okrent is
particularly involved with helping songwriters and singer/songwriters develop,
network and gain exposure.
In 1991, Okrent started ASCAP’s "Quiet On
The Set" showcase In Los Angeles. The showcase draws upon a wide range of
songwriting talent in an intimate setting and includes seasoned, well known
talent as headliners as well as new and developing songwriters,
singer/songwriters and bands. From its inception, "Quiet On The Set" has been a
successful showcase program, and now ASCAP produces "Quiet On The Set" programs
in New York and Miami, plus at SXSW in Austin and at the Folk Alliance
Conference.
"At the time, I felt there was a need for a
new singer/songwriter showcase," recalled Okrent. "I spoke to Todd Brabec
(ASCAP’s Executive Vice President of Membership), and he encouraged me to start
this showcase. We wanted to present songwriting talent and singer/songwriters
to the music community. We invited publishers, A&R execs, managers, film/TV
and other industry executives to attend. I also wanted songwriters to meet
other songwriters, and for people to have a place to go where they could just
hear really good songs and songwriting talent."
In Los Angeles, "Quiet On The Set" is held
quarterly at Largo. Special guests who have performed at "Quiet" include Vonda
Shepard, Sixpence None The Richer, Deana Carter, Tommy Sims and Mike Reid. New
talent showcases in past years have included such acts as Fisher, Jude, Catie
Curtis and Wild Colonials. For a documentary which was filmed by the BBC, hit
songwriters Billy Steinberg & Tom Kelly, Desmond Child, Andy Goldmark and
Ben Harper performed. "Quiet On The Set" will celebrate its 10th
anniversary.
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| Brendan Okrent |
In addition to supervising "Quiet On The
Set," Okrent has been involved with producing ASCAP’s highly regarded "West
Coast Songwriters Workshop." From 1989 to 1996, Okrent coordinated the workshop,
which is now known as the "Lester Sill Workshop" (named after the late
publishing legend) and is currently being coordinated by ASCAP exec Randy
Grimmett. This workshop is for more advanced songwriters, and it consists of
eight sessions which are held over a four-week period.
"The workshop is an unique experience for
the 14-15 writers who are chosen," said Okrent. "It’s an intimate environment,
where writers come to network and learn about both the process and the
industry. There is a wonderful feeling of camraderie among the participants
which lasts well beyond the workshop sessions. There have been many prominent,
guest speakers (such as George Martin, Don Was, Glen Ballard, Matthew Wilder
and Jackson Browne) who discuss a wide range of topics. Similar workshops are
also held in Nashville and New York."
Other successful programs which ASCAP
produces are "Music Business 101" and "ASCAP Swap Meets," which provide
informational and networking opportunities for members. A recent Music Business
101 in Los Angeles was called, "A Day In The Life At Warner/Chappell."
Executives from Warner/Chappell participated in the event, discussing their
day-to-day affairs and projects. Following the evening’s program, the audience
is invited to attend a meet-and-greet reception.
Okrent is pleased to be involved with
events for ASCAP. It is part of ASCAP’s goal to provide many learning,
networking and showcasing opportunities for its members. ASCAP prides itself on
having an "open door" policy, where new songwriters can approach its membership
representatives to try to break into the music business, or to receive
assistance on any ASCAP-related matters.
"People come to us first when they can’t
get to others in the industry, and we really try to respond as a service to
both our members and the community as a whole," said Okrent. "The industry is
difficult to break into, but all of us at ASCAP help open the doors for
songwriters and composers. We provide referrals whenever we can, and try to
connect the dots for people trying to learn and network. I believe we have one of the most humane
jobs in the business. We provide a service not only for our members, but for
the industry as well."
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